PERFORMANCE SERIES WIRELESS

AP41 & AP42 USER GUIDE

TABLE OF CONTENTS

Safety Instructions & Certications

Introduction

Quick Set Up Guide

R41 and R42 Receiver Front Panel

R41 and R42 Receiver Back Panel

R41 and R42 LCD Display

H60 Handheld Transmitter

B60 Bodypack Transmitter

Receiver Operating Instructions / Menu Functions

Using the H60 Handheld Transmitter

Using the B60 Bodypack Transmitter

Performance Tips

Rackmounts

Rackmount Installation

Troubleshooting

Specications

Group/Channel Charts

International Group/Channel Charts

SAFETY INSTRUCTIONS

Please read this instruction manual to ensure proper use and care of your system.

Quick Safety Tips

Unplug the receiver from the wall socket when not in use

Use only with the power supply provided

Keep away from water, moisture, heat generating devices and direct sunlight

Clean only with dry cloth

Do not block the receiver from ventilation

Use only with accessories produced by Audix

Operate and store in a safe temperature range 0°C (32°F) - 43°C (110°F)

CERTIFICATIONS

This product complies with FCC Part 74 regulations and conforms to CE standards.

Documentation available upon request. Operation of wireless devices may require a

license in your area. Please comply with regulations pertaining to your area. Users of

wireless microphones in the USA, on frequencies listed under FCC part 74.801, must

comply with eligibility and licensing requirements under FCC Part 74.834.

INTRODUCTION

Congratulations on the purchase of the Performance Series Wireless system from Audix!

Your system is jam packed with features that will enable you to  ne-tune the system as

needed. However, the best part of our design is that the system is simple to use. For most

applications, simply refer to the Quick Set Up Guide to get up and running (pgs 6-9).

Please take a few minutes and read through this manual in order to familiarize yourself

with the system components and the menus. The menus are very intuitive and most

questions about operating the system will be answered by understanding the structure of

the menus.

INTRODUCTION

2. Attach antennas to the back of the receiver. Keep each antenna straight while

screwing it into the connector (2a). After attached, bend antennas into position (2b).

QUICK SET UP GUIDE

Follow these instructions to get up and running in very little time.

1. Install 2 AA batteries in the handheld transmitter and bodypack. Refer to the

diagrams on the equipment to ensure batteries are positioned correctly.

a.) Handheld transmitter: Unscrew bottom portion of the transmitter to expose

battery holder. Push the  rst battery up through the housing with negative side

up. Place the second battery below the  rst with negative side up. The batteries are

spring loaded and will settle into place. Screw the cover back into place.

b.) Bodypack transmitter: With bodypack face down, push the spring release to

the right to open. Place left battery negative side up, and the right battery negative

side down. Snap the battery cover to close.

3. Connect power supply. Loop cable through the metal strain relief as shown above

prior to connecting power supply to receiver. Plug into power outlet.

4. Connect receiver to mixer or ampli er. Make sure audio levels on the mixer are

muted or o . For guitar, use the 1/4" AF output (line level unbalanced, 4b). For all other

applications use the XLR output (mic level, 4a).

5. Turn on transmitter.

6. Turn on receiver.

7. On receiver, press and hold the UP or DOWN button to trigger Scan for a clear

Group/Channel. After 8-20 seconds a Group/Channel˝ will appear on the receiver.

8. Sync handheld transmitter to

receiver. Unscrew the battery cover and

locate the window housing infrared

device. From a close proximity (6 inches

/ 152.40 mm) point the infrared window

(located on the opposite side of the

batteries) towards the infrared sensor

next to the SYNC button on the receiver

and press the SYNC button. Within a few

seconds the transmitter Group/Channel

and Frequency will match the receiver.

9. Sync bodypack transmitter to

receiver. Locate the window housing

infrared device on the front of the

bodypack. From a close proximity (6

inches / 152.40 mm) point the window

below the LCD screen on the bodypack

towards the infrared sensor next to the

SYNC button on the receiver and press

the SYNC button. Within a few seconds

the transmitter Group/Channel and

Frequency will match the receiver.

QUICK SET UP GUIDE

Setting up multiple systems utilizes the Scan – Sync functions described to the left. In

general, compatible channels for synchronized use are organized by Group. (See the

Group/Channel chart on page 30.)

Be sure all receivers and transmitters are powered OFF.

1. Power up receiver #1 and matching transmitter: Run the standard Scan and Sync

routine as described in the previous section (Quick Set Up Guide). Leave the system ON.

Move the transmitter at least 6 feet (2 meters) away from the receiver.

2. Power up receiver #2 and matching transmitter: Run the Scan and the receiver

will nd a clear channel in the same Group as the previous system. Sync the transmitter to

the receiver.

Adding more systems will follow the same procedure as above.

IMPORTANT: Be sure that all transmitters are at least 6 feet (2 meters) from each other as

you set up multiple systems.

Hint: If you are using more than one frequency band, be sure to set up all systems in the

same band before moving to the next.

MULTIPLE SYSTEMS

FRONT PANEL

R42 DUAL RECEIVER

1 2 3 4 5

1 POWER switch. Press for instant ON.

Press and hold for 3 seconds to turn

system OFF.

2 SYNC button. Automatically synchronizes

the transmitter to the receiver.

3 Infrared sensor. Sends data from receiver

to transmitter when SYNC function

is engaged.

4 High contrast LCD display. See Menu

Functions on page 16 for more details.

5 UP button. Only active in Menu mode.

Scrolls forward through menus. Also acts

as hot key for autoscan when pushed

and held.

6 DOWN button. Only active in Menu

mode. Scrolls backwards through

menus. Also acts as hot key for

autoscan when pushed and held.

7 SET button. Press and hold to enter the

Menu mode. Also used to save settings,

exit the Menu mode and toggle

between Frequency˝ and Group/

Channel˝ for quick reference.

55 77 44

2 2

3 3

R41 SINGLE RECEIVER

BACK PANEL

1 7

3 3

4 4

1 BNC connector for Antenna B.

2 Ground lift switch to help eliminate

ground loops or noise from

other sources.

3 Mic level balanced XLR output for

connecting receiver to an audio mixer.

4 Unbalanced ¼ inch output for

connecting receiver to an ampli er.

5 Metal strain relief. Allows power cable

to loop through for added security.

6 DC power jack for external

power supply (12 V).

7 BNC connector for Antenna A.

R42 DUAL RECEIVER

R41 SINGLE RECEIVER

R41 & R42 LCD DISPLAY

1 2 3

4 5 8

6 7

1 RF (Radio Frequency). Displays RF

signal strength.

2 AF (Audio Frequency). Displays audio

signal strength.

3 Indicates whether receiver is

unlocked or locked for security.

4 Indicates active group when display

is in Channel mode. Indicates active

frequency when display is in

Frequency mode.

5 Indicates active channel when display

is in Channel mode. Indicates active

frequency when display is in

Frequency mode.

6 Displays Level (receiver gain) or

Squelch (see Menu Functions, pg 14).

7 Battery level.

4 bars = Up to 14 hours

3 bars = 9 hours

2 bars = 7 hours

1 bar = 3 hours

0 bars = 1 hour

8 Active antenna indicator (A or B).

H60 TRANSMITTER - HANDHELD

1 Grill ball. Protects capsule.

Replaceable part.

2 Capsule housing. Threads on to

body of the transmitter housing.

Interchangeable part.

3 Transmitter housing. Contains

PCB boards and electronics for

RF transmission.

4 LCD display. Indicates Group/

Channel˝, Frequency˝ and Battery

Status˝.

5 Power ON/OFF and MUTE button.

6 Battery cover. Must be opened to

replace batteries or change transmitter

power selection.

7 Transmitter antenna housing.

8 Power dip switch (pg 14).

9 Battery compartment.

10 Infrared sync circuit.

The H60 is a 64 MHz wide spectrum transmitter. It covers both A and B frequency groups (pg 28).

H60 TRANSMITTER - BATTERY COMPARTMENT

H60 TRANSMITTER - TOP

1 Houses AA batteries (see Quick Set Up

Guide for installation instructions, pg 6).

1 Dip switch with choice of 3 output gain

settings for capsule (0 dB, -6 dB, -12 dB).

2 Dip switch to choose between

30 Milliwatt (HI) and 10 Milliwatt (LO)

power RF power output.

Dip switch with choice of 3 output gain

1 Infrared panel. Point towards the SYNC

button on the receiver when locking

the transmitter to the receiver.

2 3-pin connector for microphone cable

or guitar cable.

3 LCD Display. Indicates Group/

Channel˝, Frequency˝ and

Battery Status˝.

4 Power ON/OFF and MUTE button.

Bottom

Top

5 Antenna. Plug into bodypack and

thread on and o . Replaceable part.

6 SET button. Use to enter Menu and

Save settings.

7 UP button. Scrolls forward

through menu.

8 DOWN button. Scrolls backwards

through menu.

9 Battery compartment.

B60 BODYPACK - FRONT PANEL

The B60 is a 64 MHz wide spectrum transmitter. It covers both A and B

frequency groups (pg 30).

RECEIVER OPERATING INSTRUCTIONS

Activate Menu: To activate the menu, press the SET button until GROUP˝ appears on

the display.

Scroll Through Menu: Each of the menu functions are displayed on the screen in the order

they appear in the grid above. To scroll through the menu press the UP button. Use the

DOWN button to scroll in reverse. For example, if you are on GROUP˝ and want to quickly

get to T-LOCK˝, press the DOWN button once.

MENU FUNCTIONS

GROUP/CHANNEL

These two functions work hand-in-hand as they represent preselected frequency

coordinates. See page 30 for a table of coordinated frequencies. Each time a SCAN is

performed (by pressing and holding the UP or DOWN button), a clear Group/Channel˝

will be chosen and appear on the display. It will be one of the 106 predesignated

frequencies available in your system (see page 30). The SCAN function takes the

guesswork out of nding the best available frequency and is also handy for adding more

systems into the mix.

By understanding the menu structure it is easy to operate and make adjustments

to the system.

1. GROUP (1-10)

7. PILOT (ON, OFF) 9. T-LOCK (ON, OFF)

4. SQUELCH (5 – 45)

2. CHANNEL (1-7)

8. SCAN (SCAN FOR

OPEN FREQUENCY)

5. DISPLAY

(FREQUENCY, CHANNEL,

SQUELCH, LEVEL)

3. LEVEL (-12 to +9)

6. LOCK (ON, OFF)

Group/Channel˝ can also be controlled manually from the menu. Activate the menu (see

previous page). When GROUP˝ appears, press SET. The current Group˝ will be displayed.

Press either the UP or DOWN button to scroll to another Group˝ and then press SET. The

new Group˝ will be saved and will appear on left side of the display.

Hint: The word CHANNEL˝ will appear to the upper right of the number. This means the

display is in Channel mode. The menu displays Group/Channel˝ as the default. Press the SET

button (quickly) and the Frequency˝ will appear on the screen. After 5 seconds it will default

back to Group/Channel˝. To set Frequency˝ as the default display see Display˝ (pg 18).

To change the channel, go to CHAN˝ in the menu (it’s next in line after GROUP˝) and press

SET. The current channel will be displayed. Scroll through the channels and select the one

you want, then press SET. The same applies if Frequency˝ has been selected as the default.

GROUP/CHANNEL AP42 ONLY

Please note that the AP42 dual receiver system is designed for both receivers to be used

in the same Group. Whenever the Scan-Sync function is run, the AP42 system will choose

the optimum Group and place both receivers in the same Group. We suggest always using

the Scan-Sync function to choose new frequencies. When manually changing the Group,

please note that the Group will change accordingly on both receivers.

FOR BEST RESULTS, DO NOT CHANGE FREQUENCIES DURING A PERFORMANCE.

LEVEL

This setting allows for additional gain control over the receiver. The factory setting is +6, a

good gain setting for Audix dynamic microphones. The VX5 condenser microphone has

much more output than a dynamic mic and is better suited in the -6 or -9 range.

Hint: The key to a good sound with the least amount of noise and distortion is nding

the balance between the mixer, the receiver and the capsule gain. A soft singer, for

example, will require more gain on the mixer and receiver, which could potentially add

some noise into the system. Fine tuning the receiver setting can be helpful in these cases.

A loud singer, on the other hand, will require less gain and possibly a gain reduction on

the transmitter itself for control over distortion.

SQUELCH

Squelch˝ is an important design facet of a wireless circuit. It mutes or suppresses noise

from the receiver in the absence of a desired signal. Typically, the lower the squelch, the

less signal it takes to activate the receiver. The higher or tighter the squelch, the higher

the signal required. Squelch also aects operating distance. Unless you run into extreme

conditions where you need more or less operating range than normal, we recommend

keeping the squelch around the factory setting of +15.

DISPLAY

There are two default options for the LCD screen: FREQUENCY˝ or CHAN˝. Additionally,

you have a choice of displaying either SQ˝ (squelch) or LEVEL˝ settings. Activate the

menu screen and scroll to DISPLY˝. Press SET and FREQUENCY˝ will ash. Press the UP

button and CHANNEL˝ will ash. Press the UP button and SQ˝ (squelch) will ash. Press

the UP button and LEVEL˝ will ash.

Once you decide whether you want Frequency˝ or Channel˝ as the default, press SET to

save it. If you choose Frequency˝, the receiver frequency will be displayed as the default. If

you choose Channel˝, then Group/Channel˝ will be displayed as the default.

Hint: If Frequency˝ is selected as the default, then by pressing the SET button quickly, the

Group/Channel˝ info will be displayed for a few seconds. If Channel˝ is selected as the

default, then by pressing the SET button quickly, the Frequency˝ will be displayed for a

few seconds.

The option of showing either Level˝ or Squelch˝ is also available. Whatever settings are chosen

for those items will be displayed once selected and saved. Level˝ is the factory default.

LOCK

You can lock the receiver to prevent someone from accidentally pressing SCAN, SYNC or

the POWER button. Once everything is set and working, this is recommended.

Locking Feature For AP42

In order to insure that someone does not change a Group unintentionally, there is a Lock

feature added to the AP42. Scroll through the menu to the LOCK˝ screen and choose lock

ON.˝ This will disable the SCAN, SYNC, SET, UP, and DOWN buttons. To unlock the receiv-

er, scroll through the menu to the LOCK˝ screen and choose lock OFF˝. All functions will

be enabled.

PILOT

This is an inaudible tone generated by the transmitter to the receiver as additional

insurance to keep the receiver from generating noise when there is no signal present.

The Pilot should be left ON and only be turned OFF temporarily if troubleshooting the

system for problems.

SCAN

The option to perform a scan for a clear channel. The Audix Performance Series Wireless

Scan feature performs a scan to nd clear and open frequencies as well as compatible

frequencies when using multiple systems.

TLOCK

Transmitter lock. This function disables the POWER and MUTE button on the handheld

transmitter. This helps prevent the transmitter from accidentally being MUTED or turned

OFF during a performance.

Hint: The bodypack has this feature built into the menu.

IMPORTANT

After making a change to one of the menu settings above, it is important to

RE-SYNC the microphone to the receiver in order to clear the previously

saved information.

USING THE H60 HANDHELD TRANSMITTER

POWER ON/ MUTE

The button below the display powers ON the transmitter. To power OFF the transmitter,

press and hold the button for 2 seconds. A quick touch of the POWER button will MUTE

the transmitter. Another quick touch will restore signal. This is a noiseless function and is

very convenient for applications where a vocalist or presenter wants complete control of

the microphone.

LCD DISPLAY

The display indicates the frequency of the transmitter along with Group/Channel˝.

In order for the microphone to work, the frequency of the microphone must match that of

the receiver. If they do not match, go into the Sync mode (see Quick Set Up Guide, pg 6).

The same rules of acoustics that apply to a wired microphone also apply to the

handheld transmitter.

OM SERIES

The OM Series capsules are designed to maximize gain before feedback on stage. The

hypercardioid pickup pattern of the microphones are designed to reject sound from

instruments on stage. For best results, sing within a few inches of the microphone.

SETTING OUTPUT LEVEL

Choice of 10 Milliwatt or 30 Milliwatt RF transmission levels (pg 14).

VX5

The VX5 condenser microphone has a more open supercardioid pickup pattern. The

extended on-axis reach is ideal for singer/songwriters, keyboard players and vocalists who

want more freedom to work the microphone from a distance.

INTERCHANGEABLE CAPSULES

It is very easy to change a capsule assembly. Simply unscrew the capsule assembly at the

ring above the Audix logo.

Hint: Do not unscrew the grill ball as it is a separate threaded piece intended to be

removed separately from the capsule housing.

CONTROLLING DISTORTION

Audix capsules are designed to handle very high sound pressure levels without distortion.

If distortion is detected, try to minimize or eliminate it from the mixing console by turning

down the trim and gain controls. If distortion persists, there is a gain setting at the capsule.

First remove the capsule assembly. Locate the dip switch on the green PCB inside the

housing. Use a miniature screwdriver to move the switch from 0 dB to -6 or -12.

DIP SWITCH FOR

GAIN CONTROL

Hint: Padding the sensitivity of the capsule at the source is the most e ective way

to control distortion without changing the natural sound quality or response of

the microphone.

USING THE B60 BODYPACK TRANSMITTER

There are three buttons that control the menu functions—SET, UP (forward) and DOWN

(backwards). The functions controlled by the buttons are RF OUTPUT, LEVEL and LOCK.

There are 3 menu functions:

RF POWER OUTPUT, LEVEL, LOCK.

RF POWER OUTPUT

This controls the level of the

RF output. LO = 10 Milliwatts or

HIGH = 30 Milliwatts.

TO SET RF POWER OUTPUT

Make sure the bodypack is turned ON. Press and hold the SET button. Press the UP button

until “RF AMP” or “RF OUTPUT” appears on the display. Press the SET button and the

display will  ash, indicating the current setting, either “HIGH” or “LO” or 10mW˝ or 30mW”,

depending on which bodypack model version you have. Press the UP button to toggle

between HIGH = 30 milliwatt or LO = 10 milliwatt. Press SET to save the setting.

Hint: The Lo gain setting is helpful on a smaller stage with direct line of sight or in areas

with a lot of wireless congestion. It also improves battery life.

GAIN CONTROLS

There are two level settings: Line Level and Mic Level.

Mic level features three relative gain settings: 0, -6, -12.

Line level features -24 dB for active guitar or bass pickups.

There are 3 menu functions:

RF POWER OUTPUT, LEVEL, LOCK.

This controls the level of the

= 10 Milliwatts or

TO SET RF POWER OUTPUT

SET

POWER

(ON/OFF/MUTE)

UP (forward)

DOWN (backwards)

TO SET LEVEL

Press and hold the SET button until LEVEL˝ appears on the display. Press the SET button

once and Mic Level (gain) or Line Level will ash. Use the UP button or DOWN button to

select either Mic or Line Level. Press the SET button again. Use the UP button or DOWN

button to select the gain level desired. Press SET and the current setting will appear. Use the

UP or DOWN button to scroll through the settings. Press SET to save the one you want.

LOCK

This disables the POWER button from being active. This prevents the bodypack from being

accidentally turned o or muted. RF Output and LEVEL are locked when the B60 is locked.

TO SET LOCK

Press and hold the SET button and use the UP or DOWN buttons until LOCK˝ appears on

the display. Press the SET button and the current setting will ash ON˝ or OFF˝. Use the

UP or DOWN button to scroll through the two options. Press SET to save the setting.

THERE ARE THREE USES FOR THE BODYPACK TRANSMITTER:

1. Lavalier microphones 2. Headworn microphones

(ADX10, L5) (HT2, HT5, HT7)

3. Sax, brass, ute and guitar

Hint: All microphones are available individually as well as with complete systems.

CONNECTOR

The bodypack uses a mini 3-pin XLR connector for all microphones. Other brands of

microphones can be used with the Audix Performance Series Wireless system; however, it

will be necessary to rewire the microphone connector to a mini 3-pin XLR (f). In this case,

note the following pin con guration:

PERFORMANCE TIPS

The best position for a wireless receiver is within line of sight whenever possible.

For more complex set ups, consider extending the antenna range by using the

ANTDA4161 active antennas.

High quality batteries will provide the best results for handheld and bodypack

transmitters. Rechargeable batteries typically have a shorter usage span. It is not possible

to use two sets of transmitters simultaneously on the same frequency. It will not work.

Each time a scan and sync is performed, the transmitter will always be tuned to the

current frequency on the receiver. When using dual systems, always scan and sync each

channel independently from one another.

SETTING UP MULTIPLE SYSTEMS

It is fairly straightforward to get 16 channels of wireless to work simultaneously within

one frequency band (32 megs). This is done using a standard Scan and Sync method. The

systems will stay in the same Group until the group maxes out its channel selection. At this

point, it may be necessary to manually select a di erent Group for additional

pre-coordinated channels.

Pin 3: Signal

Pin 2: Bias (voltage)

Pin 1: Shield

RMT 42

RMT 241

RMT 4161

RMT 41 Kit

RMT 42 Kit

Optional accessory. Adapts one R42

or R62 two channel receiver into a

single 19 inch rack space.

Optional accessory. Adapts two R41

or R61 receivers into a single 19 inch

rack space. Note: Antennas must

remain rear mounted when using

this rackmount.

Optional accessory. Includes

RMT 4161 and BNC cables for front

mounting antennas.

Included accessory with AP42 and AP62

systems. Includes RMT42 rackmount and

BNC cables for front mounting antennas.

Optional accessory. Adapts one R41 or R61

receiver into a single 19 inch rack space.

RACKMOUNTS

RMT 42 Kit

ANTENNAS

Both antennas must be installed in order for the diversity function to work properly.

Always attach both antennas to the receiver.

RMT 4161

1 The holes for attaching rackmounts are located on the sides of the receiver.

2 The rackmounts are attached with two Phillips head screws and are intended to lay

over the Torx machine screw that holds the receiver enclosure together. For additional

support, the Torx screw may be removed and used as one of the fastening screws for

the rackmount.

3 After both metal pieces are fastened to the receiver, it is ready to be mounted into

the rack.

RMT 41 KIT

1 This kit includes the BNC cables needed for front mounting the antennas. Remove the

hex nut from the threaded end of the BNC connector.

2 Note: The rackmount has a hole that is slotted on one side. The  at portion of the BNC

connector must line up with the slotted portion of the hole in order to be pushed

through. It can only go in one way. Once it is through the hole, screw the nut back into

place and tighten.

3 After both sides are secure, connect the cables to Antenna A and Antenna B on the

back of the receiver. The antennas may now be front mounted to the BNC connectors.

RACKMOUNT INSTALLATION

Holes for rackmount screws

Machine screw

RMT 241

1 Using the larger Phillips head screw, fasten the metal rackmount ears to the outside of

each receiver. Fasten the  at connecting metal piece to the inside of each receiver.

2 Place the two receivers together and line up the holes in order to adjoin the two

pieces. Once lined up, use the small screws to fasten the top side together. Then turn

the receivers over and fasten the bottom side.

3 Tighten up all screws and the receivers are now ready to be mounted into the rack.

RMT 42

Attach the metal rack ears in the normal fashion to each side of the receiver. See  gure #2

under RMT 4161 on previous page.

RMT 42 KIT

After the RMT 42 is attached to the receiver, follow the instructions for RMT 4161 on

previous page for attaching BNC connectors and front mounting the antennas.

TROUBLESHOOTING

PROBLEM POSSIBLE CAUSE CORRECTIVE ACTION

Receiver won’t power up Bad connection

Check your power cord to

make sure it's plugged

into the outlet and

receiver correctly

Transmitter will

not power up

Batteries

Make sure they are

installed correctly (pg 6) or

check the battery life indicator

on the transmitter

Lock mode may be ON

If T-Lock is ON, change to OFF

(pg 19)

Transmitter

locked up

Software con ict

Re-load batteries in order to

clear memory

No RF signal

Transmitter is not synced

to receiver

Sync transmitter to

receiver (pg 8)

Receiver is out of range Reduce the distance

RF signal is weak

Antennas may not be

connected correctly

Adjust antennas or use remote

antennas

Possible frequency

interference from another

wireless device

Re-Scan and Sync to another

frequency (pg 8) or try a lower

power setting if on a smaller

stage or venue (pgs 14, 21)

No AF

Transmitter muted

Check transmitter

ON/OFF button

Transmitter battery

low or dead

Replace battery

Receiver not hooked

up properly

Check cable connections on

both receiver and console, also

check cable for continuity with

a cable tester

AF Signal distorted

Transmitter sensitivity setting

is too high

Reduce output level on

transmitter (pgs 14, 21) or

reposition vocal or

instrument microphone

Receiver level too high

Change gain level of receiver

(pg 17)

R1/R42 Receiver

Frequency Range A: 522 MHz - 554 MHz / B: 554 MHz  586 MHz

Bandwidth 32 MHz

Compatible Systems Up to 16 systems (R41) / 8 systems (R42) simultaneous use

Switchable Frequencies 106 Pre-coordinated frequencies

Manual Mode n/a

Frequency Response 45 Hz – 18 kHz

Compander System 2:1

Pilot Tone 32 kHz

Receiving System Single tuner, antenna diversity

Signal-to-Noise Ratio 105 dB at 30 kHz deviation (A-weighted)

Total Harmonic Distortion ≤0.7% (33 kHz deviation at 1 kHz)

Sensitivity 5 dBV (S/N 60 dB at 25 kHz deviation, A-weighted)

Audio Output (Level=6)

Balanced: -12 dbv @ 25 kHz deviation, 600 ohm load

1/4": -18 dbv @ 25 kHz deviation, 10 ohm load

Output Connectors 1/4", XLR

Audio Level Adjustment -12 to +9 in 3 db steps

Range 300', (91 m)

Power Supply 100 - 240 V / 50 - 60 Hz, 12 V DC, 1A

Dimensions (W / D / H)

205 mm / 8.07 in x 206 mm / 8.11 in x 44 mm / 1.73 in (R41)

406 mm / 15.98 in x 209 mm / 8.23 in x 44 mm / 1.73 in (R42)

Net Weight

1.92 lb / 0.87 kg (R41)

4.75 lb / 2.1 kg (R42)

SPECIFICATIONS

H60 Handheld Transmitter

RF Power Output

10 mW, 30 mW

Frequency Bandwidth

64 MHz

Gain Controls

0 dB, -6 dB, -12 dB

Input Connector

n/a

Batteries Included

2 AA 1.5 V

Current Consumption

110 mA typical

Battery Life

Approximately 14 hours

(depending on battery type and usage)

Input Impedance

n/a

Max Sound Pressure Level

>140 dB (depending on capsule)

Dimensions

2.1in diameter body, 10.43” (L),

53 mm diameter body, 265 mm (L)

Net Weight

11.0 oz / 312 g (without battery)

B60 Bodypack Transmitter

RF Power Output 10 mW, 30 mW

Frequency Bandwidth 64 MHz

Gain Controls 0 db, -6 dB, -12 dB, -24dB

Input Connector 3 pin mini-XLR

Batteries Included 2 AA 1.5 V

Current Consumption 110 mA typical

Battery Life

Approximately 14 hours

(depending on battery type and usage)

Input Impedance Mic: 10k ohm, Line: 1M ohm

Max Sound Pressure Level Approx. 128 db - 140 dB (depending on microphone)

Dimensions (W / L / D) 67 mm / 2.6 in x 90 mm / 3.5 in x 17 mm / 0.67 in

Net Weight 3.0 oz / 85 g (without batteries)

R41A GROUP/CHANNEL CHART (522 - 554)

1 2 3 4 5 6 7 8 9 10

1 545.625 541.475 547.475 554.125 553.300 553.625 553.600 553.450 550.500 551.725

2 544.500 541.075 547.075 549.675 551.625 547.350 552.975 549.700 547.875 550.500

3 543.575 540.450 546.450 548.650 544.925 543.475 552.150 548.775 546.425 549.575

4 542.350 539.625 542.850 548.125 541.600 542.400 551.750 547.325 545.500 548.125

5 535.075 538.500 535.475 529.475 540.450 538.350 551.025 544.700 541.750 545.500

6 533.625 537.575 534.450 529.075 527.325 535.500 527.625 543.475 538.925 544.275

7 531.575 536.850 532.500 528.450 526.075 533.950 526.500 534.625 537.475 535.425

8 530.850 536.350 530.350 524.850 525.525 528.075 525.575 532.750 534.150 533.550

9 524.350 524.525 526.375 523.475 530.675 532.600 531.475

10 522.100 525.800 523.075 530.250 530.500 531.050

11 522.450 525.150 528.100 525.950

12 522.350 523.750 523.150

13 522.525

GROUP

CHANNEL

R41B GROUP/CHANNEL CHART (554 - 586)

1 2 3 4 5 6 7 8 9 10

1 583.475 585.575 584.500 584.675 584.400 584.825 583.350 584.675 585.375 584.400

2 583.075 584.850 578.125 582.600 582.350 579.125 581.600 582.600 584.500 582.350

3 582.450 559.600 571.450 579.400 581.475 578.625 573.825 581.750 581.150 581.475

4 581.625 558.975 565.600 571.600 579.125 574.475 572.800 579.400 580.600 579.125

5 580.500 557.750 564.975 570.975 577.600 567.550 571.550 578.375 579.200 578.100

6 579.575 557.025 564.150 570.150 576.975 566.000 570.775 577.150 578.125 577.100

7 578.350 555.675 563.025 569.750 576.150 561.100 569.050 576.650 577.450 576.375

8 554.650 561.675 569.025 575.025 557.075 565.700 575.300 576.100 575.850

9 560.125 567.675 573.675 555.300 561.075 574.450 575.250 574.825

10 566.125 572.125 571.450 572.250 573.475

11 564.700 565.500 572.850

12 562.600 563.400 570.050

13 561.050 561.850 564.525

14 556.275 557.075 562.450

15 554.250 560.575

GROUP

CHANNEL

*NOTE

Frequencies in the above chart may be selected by changing Group˝ and Channel˝ options from the menu (pg 16).

INTERNATIONAL E FREQUENCY

GROUP/CHANNEL CHART

1 2 3 4 5 6 7 8 9 10

1 823.625 823.825 823.175 827.450 823.500 823.250 824.025 824.975 823.000 823.975

2 828.275 825.000 827.200 828.575 824.500 823.750 826.225 826.025 824.225 825.775

3 829.100 825.575 827.825 829.250 825.750 825.250 826.975 828.000 824.975 828.625

4 830.225 826.550 829.375 830.275 827.250 826.500 829.300 828.700 828.000 829.500

5 830.625 827.075 829.875 830.700 828.250 827.500 829.700 829.100 829.100 831.900

6 831.625 829.700 830.625 831.725 863.150 828.250 863.125 863.150 829.500 863.475

7 863.400 831.500 863.625 863.625 863.550 863.125 863.525 863.550 863.125 863.900

8 863.825 863.350 864.350 864.325 864.600 863.525 864.175 864.175 863.525 864.550

9 864.625 863.900 864.875 864.175 864.625 864.600 864.175

10 864.875 864.625 864.625

GROUP

CHANNEL

Audix oers wireless systems that work with the international free frequency

(823 – 832 MHz and 863 – 865 MHz).

www.audixusa.com

503.682.6933

Audix and the Audix Logo are trademarks of

Audix Corporation.

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